Mundong Maligaya

Bay Area Love

2011-09-13T00:25:00.001-07:00

I've been out of the loop for a while and have been living in SF for over a year now. I remember coming here thinking that this place is a great opportunity to freely create art and healing. Learn and be inspired.

Set up my canvass, pop some paint tubes And have a glass of wine and just lose myself. Then on other days just keep learning. Learning more about my body and spirit and learn about others so I can stand as an advocate for others' learning and healing as well.

I guess I never got over my romantic artistic visions and dreams. Perhaps it will always be like this for me in one degree or another. I am constantly yearning for inspiration for my busy little brains cells and heart that never seem to get enough of the stimulation this life and this world provide.

I am overwhelmed by the tremendous amount of inspiration here. From movements and mini revolutions happening in every single corner of the Bay. I'm not sure what to make of it yet. More questions come to me more than ever. Some things more confusing than clarifying. I've been evolving and is constanly being inspired and I'm grateful.

Re-freshing Bodies

2010-03-03T18:06:00.000-08:00

Last March 1, Monday, ten artists; Aj Tolentino, Aza Mazon-Camps, Benay Reyes, Ivy Universe Baldoza, Joana De Leon-Hoffman, Ligaya Domingo, Lydia Cabasco, Maan De Loyola, Tif Guevara and Rimaq Palma showed up with their works at the exhibit in celebration of the Womyn's Month.

It's very interesting to gather womyn for an exhibit because there's always something new to find. The artists used a rich variation of media, wood, plaster, fabric, oil and acrylic paints, pencils and ink. All unified by the theme of the exhibit: sexuality, sensuality and womynhood inspired by the book, Women Who Run with the Wolves written by Clarissa Pinkola-Estes. All in contemplation of what it means to be in a womyn's body.

For an exhibition that was only organized within a month, the turn out of the works were amazing. Considering that there are three working mommies in the group. While everyone else, although without children are perpetually busy with something anyway.

People who came to see the exhibit, or who just happened to be in the Philam Life and looked at the exhibit, expressed their fascination, "an all-womyn exhibit. What is this about?" I guess exhibitions like these, as far as we thought feminist revolution has progressed still doesn't come as easy these days and still strike some kind of exotic fascination to certain people. Especially when you bring womyn to talk about words like sensuality or sexuality.

I find womyns' reflections of their own bodies very distinctive from that of men. I guess I refer to male artists painting womyn's bodies who has spent too much time looking at FHM or Playboy. There is always more depth or more inquiry that is much more familiar, much more real and genuine. I am not saying that all womyn paint like this. I refer to the works of Joana, AJ, Maan and Benay here. It's a very refreshing feeling.

Unearthing the hearth of the feminine

2010-03-03T11:14:00.000-08:00

Unearthing: Womynist Bones and Sexuality-Unearthing the hearth of the feminine. When the river does not run,rest awhile, rip through reality, rake up the rust, embrace what you’ll find. Reclaim and from there, a hope to redeem radiance.

Ten artists run and rhyme with one another as they uncover and recover the feminine in “Unearthing:Womynist Bones and Sexuality”, an exhibit of paintings, sketches and installations on March 1-14 at the Philam Life Center for the Arts, United Nations Avenue, Ermita, Manila.

Unearthing: Womynist Bones and Sexuality features the works of AJ Tolentino, Azalea Mazon-Camps, Benay Reyes, Ivy Universe Baldoza, Joana De Leon-Hoffmann, Ligaya Domingo, Lydia Cabasco, Maan De Loyola, Rimaq Joaquin Palma and Tif Guevara- a group of artists from and of different backgrounds prime a range of works to provoke and evoke the woman within.

A celebration of International Women’s Month, the exhibit aims to commune with the woman in each one in order to facilitate dialogue on women’s realities- unearthed in the eyes of these ten artists. A take-off from Clarissa Pinkola- Estes’ book, Women Who Run with the Wolves, these artists procure arresting sections as they translate their own visual and tactile narratives. The works in turn, aspire to stir and spur awareness from the audience and elicit response to the different issues and archetypes associated with the woman, her processes, truths and ideals.

Benay Reyes

Unearthing: Womynist Bones and Sexuality

2010-02-25T06:25:00.001-08:00

UNEARTHING
Womynist Bones and Sexuality

Buried under the dark crevices of our time’s hegemonies are yet tender fossils – muted, maimed, and mutilated – muffled in their screaming silence, cocooned within the gravels of subjugated worldings. But not for long…

Ten womyn womynists piece together a fearless, undulated bellowing; an eloquent kind of unearthing, to unravel bones of feminine beauty and pain, to reconstitute their place in time and space, both real and virtual. To unearth is to reveal quieted identities in a more gaping dimension to which their osseous seeds could be nourished into fertile germs – progenitors, potent and sexual so that the once faint diffusion of voices could reverberate into a piercing chorus, lyric and erotic, vivid and provocative.

This spirited collective choreography gathers in a wall’s span and in a sweeping gaze a cross-section of ideas that could somehow begin to articulate, but not to frame, the womyn’s emancipation into the breathing space of expression, unstruggling, ungasping and basking in the free air.

In their concoction of old and new media, the ten artists may have come from different milieus and cultivate different modes of artistic engagement. Yet they speak in unison as they spark this provocation to take a focal look at the feminine from her periphery. Through the poignant womynly expression, Benay Reyes bares a subtle, primordial injustice that seems to have haunted the womyn during the expanse of HIStory. She invites us to go back, look back and re-align our gaze at HERstory. Ligaya Domingo and Maan de Loyola project contrasting styles of abstractions to show a single theme: societal imbalance, the longing for human rights and social justice. AJ Tolentino makes use of both arcane myths and mass-produced pop cultural hegemonies to position the womyn in both the ancient and the current. Tif Guevara and Ivy Universe Baldoza works with every conceivable medium and form to attack the feminist subject, creating rich juxtapositions of metaphors pertaining to the feminine’s “universe” of concepts. Joan de Leon Hoffman paints it dark and real to intimate what to her are her womynist realities. Lydia Cabasco ventures into 3D spaciality through installation and collaborates with Tif Guevara as they render subliminal connections between art and the subconscious. They draw inspiration from myths and the archetype of the “skeleton woman” to explore the cycle of life, death and life. Aza Camps and Rimaq Palma complete this initial performance of unearthing with works challenged and stirred by the womyn’s sexual politics.

Longing for tender caresses, these painful yet beautiful “bones” resuscitate in these walls, their nursery beds; with the intimate light as their sun and your thoughtful gaze as their consummate lovers, sensually stroking with the eye, afflicting and loving.

In indigenous lore, women priestesses danced and stomped the earth’s virginal orifices amidst sacred chants and prayers, to awaken the soil and welcome the seeds that soon may grow into life. Now, bones become seeds of intention. Such skeletal undertakings begin the nurturing process of interrogation to amplify the actualities of the womyn, unearthed.

Behold, here unfolds a resurrection.

JOSEPH MICHAEL T. PATRICIO
kupityo@gmail.com

Old Rubbles for New Inspirations

2009-11-04T03:49:00.000-08:00

Was going through my old dusty boxes of loads of shit inside the house doing some spring cleaning (actually more of a rainy day cleaning) and I came across a bunch of ultrasound prints that I had done from years ago. I got diagnosed for myoma and for a bunch of other reasons women take ultrasounds. I just suddenly thought a connection to some old photograms that I also found below.

I am definitely doing something with this ultrasound films pretty soon. I am still figuring out what to do for Benay and I's exhibit on March given the financial constraints that we have. So I've been thinking about exploring existing materials that I already have that I can use for the art works.

Production Design

2008-12-31T23:40:00.001-08:00

Photos from the Indio Nacional, 2005
Director: Raya Martin
Country: Philippines

Indio Nacional is one of the films I worked as a production for. I still need to collect photos for the other films. It's a little bit difficult to do all of this once.

Other films that I will need to include in this page are the following:

Ayme (Work in Progress), Directed by Ivy Universe Baldoza
Indio Nacional, 2005, Directed by Raya Martin
Pamilyang Kumakain ng Lupa (The Family that Eats Soil), 2005, Directed by Khavn Dela Cruz
Simula (Beginning), Art Direction, 2005, Directed by Ruello Lozendo
Shaman, 2003, Directed by Ruello Lozendo
In Loving Memory, 2003, Directed by Ruello Lozendo
Katok (Knock), 2003, Directed by Ivy Universe Baldoza
Piping Panahon (Flattened Season), 2003, Directed by Pia Roxas

KA-BUWAN-AN, 2008

2008-12-31T21:29:00.000-08:00

KA-BUWAN-AN, a group exhibition by KASIBULAN was opened by Brenda Fajardo March 7, Friday and was attended by KASIBULAN members, friends, families and art enthusiasts. The exhibition was a collection art works done by members fo the group after 2004 .

In this exhibition, I presented photograms in four panels, A Portrait of Woman (4 pc 8'x10" b&w gelatin silver prints.)

KA-BUWAN-AN
March 7, Friday, 6pm
GSIS Museum
Financial Center
Reclamation Area Roxas Blvd.
Pasay City
*Exhibit runs until March 28, 2008

Babae (Womyn), 2004

2008-12-31T01:48:00.000-08:00

Kasal-kasalan, 2004, 8"x10" gelatin silver print

Takusa Sari-sari, 2004, 9 8"x10" gelatin silver prints

Sa Tatlong Taong Ningning, 2004, 3 8"x10" gelatin silver prints

Para sa Alingawngaw ni Ningning 2004, 15 8"x10" gelatin silver prints

Alitaptap Sari-sari, 2004, 15 8"x10" gelatin silver prints

For where the woman speaks and where the woman soars and where the woman roars.

In 2004, these pieces were exhibited in a solo show entitled Babae (Womyn) at the now defunct Siwang Gallery in E. Rodriguez Avenue in Quezon City. Babae is the artist's exploration of a woman through her body. The woman in her body and how society impose her realities as she experienced and witnessed it. Here, Ligaya does this by using Barbie dolls to create the metaphor of the body as the deliberate use of the archetype of a woman in different spheres of society; the home, the media, the work place. Drawing from her memories of playing with Barbie dolls from her childhood. She uses its images to tell the story of women she witnessed in her life, a friend, her mother, an suspecting stranger she encounters in a street corner.

[Post is taken from Fly Fire Women Unite]

Collage Series 2008

2008-12-30T14:22:00.000-08:00

Three Hearts 2008, 8x10

Blue Heart 2008, 8x10

Collage Series 2008

This is a series of collage that I worked on this December intended to be gifts for very special friends. I turned them to Christmas cards.

I was inspired by creating minimalist abstractions here, just making room for a lot of spaces and just adding a few elements. I played with various pastel colors mainly because this was the only available palette to me at the time I was making them when I got the set of construction paper from National Bookstore and added some newspapers.